Current Exhibition
A group exhibition curated by Marlène Corbun, Head Curator
Featured Artists
Justin Aversano
Alida Sun
Martin Lukas Ostachowski
Primavera De Filippi
Curatorial Statement
Inner Voice is a curatorial project conceived in reference to Concerning the Spiritual in Art, in which Wassily Kandinsky describes a moment of rupture where, faced with the erosion of religious, scientific and moral foundations, attention shifts from the outer world toward interiority. He identifies a profound transformation in modes of perception, in which art becomes one of the first spaces where this spiritual mutation manifests itself.
The exhibition brings together the practices of Justin Aversano, Alida Sun, Martin Lukas Ostachowski and Primavera De Filippi, revealing how their works give shape to singular value systems and inner worlds. It underscores the role of art as a space where a contemporary spirituality unfolds, anchored in a sensitive and situated relationship to the world.
Through photography, video, embroidery, sculpture and hybrid practices, the works on view invite us to rethink how we see and feel, in a world shaped by crises and the overabundance of images. They translate inner states such as emotions, intuitions and spiritual impulses, while echoing contemporary realities.
Image technologies, whether analog or digital, play a central role here: they no longer merely represent the real, but transform our relationship to the visible and the invisible. They open a sensitive space where new forms of spirituality unfold today.
Echoing Kandinsky's thought, Inner Voice invites us to consider contemporary art as a space where this displacement toward interiority continues. Faced with the mutations of the current world, the works gathered here extend that intuition and affirm the persistence of a spiritual necessity, a renewed way of inhabiting the real.
"When religion, science and morality are shaken (the latter two by the powerful hand of Nietzsche) and when the outer supports threaten to fall, man turns his gaze away from the external and toward himself. Literature, music and art are the first and most sensitive spheres in which this spiritual revolution makes itself felt."
Wassily Kandinsky, Concerning the Spiritual in Art, 1911
Marlène Corbun, Head Curator
Artist 01
Justin Aversano stands as a beacon in modern art, known for his profound storytelling through the lens. His groundbreaking series, "Twin Flames," has captivated audiences by not only showcasing the unique bond between twins but also weaving a tapestry of human stories that resonate universally. Through this work, Aversano delves into the complexities of identity, kinship, and the shared human experience.
Aversano's artistic journey transcends traditional photography; he's a pioneer in the digital art revolution. By embracing blockchain technology, he has transformed how art is perceived and owned, introducing his creations as NFTs (Non-Fungible Tokens). This innovation has not only expanded his reach but has also redefined the dynamics between artist and collector, making art ownership more accessible and interactive.
His commitment extends beyond his personal creations. Aversano is a catalyst for community and dialogue within the art world. He actively participates in collaborative projects, exhibitions, and workshops, fostering an environment where art becomes a medium for connection and cultural exchange. His influence is seen in his efforts to blend technology with traditional art forms, challenging and inspiring how we envision the future of art.
Aversano's work is a narrative tapestry, exploring themes of love, loss, and the intricate layers of human relationships. His art prompts reflection, encourages discussion, and invites viewers into a dialogue about what it means to be connected in an increasingly digital world. Through his lens, he captures not just images but moments in time that speak to the heart of the human experience.
As an artist, curator, and advocate, Justin Aversano's legacy is one of innovation, empathy, and a relentless pursuit to push the boundaries of art, making him a pivotal figure in both the analog and digital art landscapes.
Works on View
Artist 02
Alida Sun is an artist and critical technologist. Her practice embodies presence, resistance, and adaptation in the age of algorithms. Every day for over 2,600 days and counting she has hand-coded a new generative artwork spanning installation, sound, architecture, textiles, drawing, and light.
A figurehead of the FEMGEN movement, Sun has distinguished herself for the rare hybridity of her practice as the first artist in history to consolidate generative art, blockchain technology, large-scale installation, and live performance. She forges blockchain as keys to financial freedom for communities systemically excluded from conventional systems, programming emerging art systems as distributions of care.
Her works have been exhibited in museums and galleries including UCCA Center for Contemporary Art, Venice Biennale Decentral Art Pavilion, Scottsdale Museum of Contemporary Art, bitforms, Unit London, as well as media art festivals around the world.
Works on View
Artist 03
Movement defines Martin Lukas Ostachowski's life and art. Having lived in three countries and relocated over 34 times, he feels more rooted in the sky than in any single place. His early aviation career and over 800 passenger flights in the past decade reinforced this connection, making clouds and the sky a central theme in his work.
Since discovering cryptocurrencies in 2017, Ostachowski has explored blockchain technology's architecture as a game-changer for digital art distribution. Through the subject of clouds, he examines blockchain as a contemporary symbol of data storage and connectivity. For Ostachowski, clouds and blockchain share fundamental similarities. Both represent intangible values, move permissionlessly across borders, and exist as fragile constructs.
Just as clouds can dissipate, blockchain relies on a strong network of active nodes. His body of work, Network of Hope, uses cloud-inspired artworks to explore blockchain's transformative potential. Through data visualizations, animations, and digital and physical works, he demystifies blockchain technology, sparking conversations about its role in shaping the future.
Works on View
Artist 04
Primavera De Filippi is an artist and legal scholar at Harvard University, exploring the intersection between art, law and technology, focusing specifically on the legal and political implications of blockchain technology and AI.
Her artistic practice instantiates the key findings of her research in the physical world, creating blockchain-based lifeforms that evolve and reproduce themselves as people feed them with cryptocurrencies.
Her works have been exhibited in various museums, galleries and art fairs around the world including Ars Electronica and Francisco Carolinum (Linz, Austria), HEK Museum of Digital Arts (Basel), Kate Vass Gallery (Zurich), Furtherfield Gallery, Gazelli Art House, and Kinetica Art Fair (UK), Centre Pompidou, Grand Palais, Gaité Lyrique, Le Cent Quatre and Artverse (Paris, France), Palazzo Cipolla and Biennale di Venezia (Italy), Fort Mason Center For Arts & Culture (San Francisco), as well as international art fairs such as Art Dubai, Burning Man (Nevada), Fusion Festival (Germany) and Synesthesia (Portugal), and online galleries like Feral File.
Works on View
Opening Night
Featuring live performances by
Justin Aversano and Primavera De Filippi.
Visitor Information
DANAE
17 rue du Bouloi
75001 Paris, France
Monday to Friday
10:00–13:00 · 14:30–19:00
Weekends by appointment
margot@danae.io
+33 6 73 20 37 63
